This exam will address all material from weeks 10-13.

Concepts

  • Marx & Communism
  • Use-value, Exchange-value
  • Costs of production & reproduction for traditional, physical goods
  • C0sts of production & reproduction for mass cultural goods
  • Edison, Kinetoscope
  • Nickelodeons
  • Hollywood origins
  • DW Griffith
  • The Birth of a Nation and reaction
  • Charlie Chaplin
  • The movie palace
  • Sound introduction in film
  • Vitaphone
  • Evolution of film censorship
  • Hays Code and example of application (Betty Boop)
  • The Golden Year
  • WWII-era films and propaganda
  • Hollywood Ten & unfriendly witnesses
  • Introduction of ratings system
  • Documentary film origins
  • Cinema Verite & Direct Cinema
  • Michael Moore
  • White and black confluences in music
  • Musical precursors to rock and roll
  • The period that introduced "hillbilly" archetype
  • Hillbilly characteristics
  • The white other
  • Snuffy Smith
  • Beverly Hillbillies
  • Deliverance reception
  • Deliverance syndrome
  • Borat representations of the South
  • Hillbilly music
  • Origins of brand culture (era, examples)
  • Levi's introduction
  • Hilfiger associations
  • Barbie criticism
  • Online counter-branding
  • Thomas Nast
  • Media effects
  • Hypodermic needle & magic bullet theories
  • Limited effects theories
  • Contemporary understanding of media effects
  • The Tea Party and its origins
  • Tea Party attendees' knowledge of issues
  • Howard Beale as archetype
  • Readings: Students are required to be familiar with linked readings from Klosterman, Douthat and Storey (ch. 7)

 

 

 

Matthew Blake, CSU-Chico Department of Journalism