Kaufman: "Adaptation," "Eternal Sunshine of the Spotless Mind"
Considerations
Theoretical: Postmodern film
Postmodernism in film: traditional narrative structure is altered; new structure of story allows reinterpretation
Manipulates "suspension of disbelief" (children picking up pencil in drawing)
Accept for text's sake its premise as being real
Historical: Movie's title and narrative is based in part on pulp magazines of the early- and mid-twentieth century
Pulp distinguished from Glossies
Commonly associated with crime-related stories: detective/mystery, westerns (as well as others, including fantasy, adventure, war, sports)
Lines between good/evil are blurred, through characters and their actions
Pulp characteristic: sensational cover art (movie poster emulates)
Referential: Post-WWII popular culture
Commercial goods
Drug references
Film references (and at least one book)
Music incorporation
Note general references made by characters and Tarantino, time sequence changes
Assignment
Post an example of intertextuality from Pulp Fiction to the course Vista discussion board
Due by 10pm tonight
In your answer, which should not exceed fifty words, include the following: The text referred to, the date of the text, and the Pulp Fiction scene in which it appears
For example: Son of a Preacher by Dusty Springfield (1968) is played during the scene in which Vincent visits Mia's house
Class material
Pulp Fiction movie poster (1994). Note the worn look and icons incorporated.